QUESTION

I am very confused I have been checking on the Internet for information pertaining t a real 1959 Gibson Les Paul Tailpiece and have found many conf;icting bits of information. I see by your site that you specialize in these parts and have a good reputation what should i be looking for in a real tailpiece

REPLY

Thank you for e mail well to begin with this is a very very hard thing to explain only because there are so any fakes and forgeries out that that look really good. There are companies now that specialize in these vintage reproductions and i will admit some are remarkable close and some near undetectable so beware and be warned this is uncharted territory for the novice.

The Gibson stop tailpiece was first introduced in 1954 on Les Paul Customs and in late 1955 on Les Paul standard goldtops with tunomatic bridges. An finally in 1958 on Les Paul standards in sunburst . So there is a limited number of real tailpieces out there I would say that 85% are still on the original guitars so do the math that does not leave many floating around. Most you will find came off refinished guitar or broken guitars were they were to valuable to leave on the instruments and a repro would do just fine.

Ok first they are light weight and should have an aged patina and no adjustment screws. he center seem down the back of the tailpiece should have another seem in the center laid on top of the other seem creating a thick overlap mark about a 1/2 inch long that is not an exact figure. so the center of the seem will be thicker. There will be file marks on the bottom of tailpiece by the end ears of the tailpiece and they will we on an angle not horizontal to the tailpiece.

The controversial part sis inside the ears were the studs hook on some have pin marks from the cast a circle in the center in back and some do not that is a fact and is correct i have seen loads of burst and vintage guitar and they came both ways. For the most part the tops of the tailpiece is rounded smooth and and is even like a new one but on several occasions including original owner guitar I have  has seen a slight and i mean slight ridge on top running across not a line but a slight ridge you can feel and is visible only on close inspection. Most do not so do not worry.

This being said do not take this information and run out and buy one look at real ones look at a vintage collection look closely at books. IN HAND IS TEH ONLY WAY TO TELL IF IT IS REAL . A picture can help but you can photo shop anything. If you buy one get approval and have it checkout by an expert . I can supply you with a list of reputable guys. Please be careful this is a dangerous territory for the uninitiated.

I hope this helps a bit i Will gladly inspect or look at any photos or info you have or Will gladly point you in the correct direction if you really need one . Please e mail me at THE PARTS DRAWER and i will answer your questions within 48 hours.

Jim Pasch

QUESTION

I just inherited 3 vintage guitar from my father. I went to have them appraised and my father had custom truss rod covers made with his name on them . What are the correct truss rod covers for these 3 guitars. One is a 1953 Gibson Les Paul goldtop , the second is a 1959 Gibson Les Paul jr and teh third is a 1958 Gibson Les Paul gold top with the big pickups . any info you give me would help greatly

REPLY

Thank you for your e mail I will go over the various truss rod covers that were found on vintage Gibson les paul guitars for you. again i am going by what you told me i have not seen the guitars so by the information you gave me i will tell you teh correct one

The first Gibson Les Paul standards which were in gold have a truss rod cover 2 ply black white black material. there was no name or model on these cover. These early covers had fine lines or ripples running horizontally across cover only seen upon close inspection called roll marks  and are  back is white. these have a wide bevel or white border around them compared to the new ones. The Les Paul customs has the words Les Paul custom in script on the cover. the script is finer than the late 1960’s Les Paul customs

The next version on on the 1957-1959 les paul standards both goldtops and flametops were basically the same . Again the Les Paul customs bear the same script and wording on the top of covers. By 1960 the truss rod cover looks exactly the same but there will be no lines visible in the plastic . 1960 was a transition years for Les Paul’s in the fact that several features changed on the Les Paul including some of the plastic parts so this an important thing to remember

The 1954-1960 Gibson Les Paul jr. truss rod covers are totally different they are one ply black plastic . they look and feel very cheap as would be expected because these were basically student guitars. they have no ripples in plastic and are very hard to describe except that eh plastic is a bit thinner on the original ones than the repros I have seen today

Finally one model you did not mention but I will mention is the 1960 -1962 gibson Les Paul sg model. These just have the words Les Paul in script on the covers and agin it is a two ply with a wide white bevel .

I hope this helps o make sure you can e mail me pictures at THE PARTS DRAWER and i can tell you exactly what ypu need

JIm Pasch